[Spoilers for this issue]
In every rendition, Shade’s a weird series; Shade the Changing Girl carries that torch. And like its predecessors, weird is not merely weird; Shade views the world askance. Where Peter Milligan woke us to the American Scream, Castellucci opens our eyes to back-stabbing teen girls.
In every rendition, Shade’s a weird series; Shade the Changing Girl carries that torch. And like its predecessors, weird is not merely weird; Shade views the world askance. Where Peter Milligan woke us to the American Scream, Castellucci opens our eyes to back-stabbing teen girls.
Avian-alien
Loma idolizes Rac Shade – the Rac
Shade, poet, shade agent, wearer of the madness vest. She also loves earth from
afar, though earth culture was a passing fad on her planet. Stewing in
adolescent aimlessness, she follows her idol’s example; she steals the madness
vest, and goes walkabout on earth. She hitches a ride in the body of braindead schoolgirl,
whose friends and family would prefer she remain braindead. Loma only intends
to live the earthling schoolgirl life for a bit, but can she control the
madness that long.
The first
caption shows Loma’s amorality, as her ectoplasm form looms over her braindead
host. ‘Not dead, but almost dead … Push what’s left of her out while I climb in.’
A smart establishing moment, as the act is only morally dubious, rather than
outright immoral. We sense Loma lacks any moral squeamishness, but, as she
steals the body of a vegetable, we don’t see her as a monster. Loma has that
aimless selfishness of youth.
The
parallels between Loma and her host, Megan Boyer, imply the madness vest didn’t
choose just any vacant body; it sought a parallel personality. Megan is Queen
Bitch, and dreaded by her peers and parents. Although Megan is more overtly
manipulative, Loma shares her selfishness. Castellucci links between the girls
with two resonating scenes. We meet Loma, in her original body, pressuring her
security guard boyfriend into unlocking the display of Rac Shade’s madness
vest. Her words imply she got with her boyfriend mainly for this end. For
instance, as her boyfriend unlocks the case, she tells him she and Rac ‘were
adopted because [their] parents failed the parenting test.’ Her boyfriend
‘didn’t know that about [her]’. This implies two things: one, she is not close
enough to her boyfriend to tell him about her childhood; two, she feels a
kinship with Rac Shade. Now cut to Megan Boyer five months ago, before her
accident. At lake-party, fueled by sex and cocaine, she thinks of her beau:
‘Cute boy toy? Check. … Quiet when I tell him to be? Yes.’ While Megan is more
open about her manipulation than Loma, these two scenes connect the girl’s via
their selfishness. I expect future issues will pick up the thematic potential
of this.
Loma treats
her escapade on earth like a gap-year. Inspired by her poet-idol Rac Shade, and
her liking of the earth sitcom I Like
Honey, she wants to ‘stay just long enough to taste this different life’.
Hard not to see her as the first-world new-adult stickybeaking through ‘exotic’
nations, only superficial interested in those nations’ cultures. She wants to
escape her life on her home planet, but her choice of host will likely make her
trip less romantic than she assumed.
Hallucinatory on left; trippy on right |
With a plot
device called the ‘madness vest’ this issue could have been a lot weirder. The
weirdness keeps to the visuals, which vacillate between psychedelic and
hallucinatory. As of the first issue, the narrative structure remains conventional,
or rather, we’ve not got a non-chronological, unreliably narrated polyphony on
our hands. Spare a flashback, Shade runs
A to B. A traditional form stabilises Shade’s weird content..
As you
might have guessed from Rac Shade being poet, there is poetry in this issue.
While many writers underestimate the challenge of poetry, they being more
trained in prose than poetry, Castellucci’s music background prepares her.
‘Where dark falls dark despite the light / I touch. I smell. I breathe. I beat.
/ Running off to the great blue. / Our hearts, now lost, just fade away’. Far
from brilliance, but not amateur.
Shade the Changing Girl is a fittingly strange addition to
DC’s Young Animal imprint. Loma’s future travails in her unpopular host will
likely fulfil this issue’s promise. For any who like trippy sci-fi/high school
stories, buy it.
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