Dogma is enemy of truth. To believe reality
cannot be so, when reality is so, is delusion; to call this delusion
rationalism is parodic. In The Master and
Margarita, Bulgakov drops a walking refutation into Moscow, he drops the
devil among atheists. Do they accept, or even consider, what their reason and
senses should tell them? No, they fall back on dogmatic materialism. The
literary establishment will not consider the devil, or God, or magic, or any
speck of the old religion. To contrast this denial of truth, Bulgakov gives a
model of artistic creation of truth, in the Master’s story.
On an ordinary evening in Soviet Russia,
the devil comes to Moscow. Posing as Professor Woland, a scholar of black magic,
Satan and his coterie of demons performs a farce, with Soviet literary world
his stage and the Muscovite upper-crust his unwitting players. Between these
satires, the audience reads the eponymous Master’s unpublished manuscript, a
retelling of Christ’s final days, from Pilate’s perspective.