I don’t mean style over substance as an insult. In Waid and Samnee’s twelve-issue, single-arc run on Black Widow, plot threads only just hold together, characters have rote motivations, and the themes extend to characters saying ‘secret’ a lot. On their own, these elements are merely competent. Here, they are redeemed, because they fuel the book’s style.
Black Widow runs from SHIELD. A masked terrorist named Weeping Lion blackmails her into digging up her own past. He wants information on the Red Room, a school for child assassins. The Red Room has resurrected, ready to educate a new generation of assassins.