Sorry, something came up, so I can’t post a
full-length review this week. Instead, I’ll just recommend one of my favourite anime: Revolutionary Girl Utena.
Utena
is a parody, a tragedy, a bildungsroman, a queer love story, a feminist text, a magical
realist tale, a critique of ideals and seeming perfection, a fairy-tale that
has outgrown fairy-tales, and most of all a thoroughly entertaining anime. Utena is a coming-of age-story, but not
sentimental. It does not see the death of childhood as a sad, if necessary,
fact of life.
To Utena,
childhood means ignorance, self-righteousness, and received ideas. A true adult
abandons false ideals, and cultivates their truest self. The show first
presents our hero, Utena, as a ‘gender rebel’, a girl who dresses as a boy and
aspires to be a prince. But her rebellion is not revolution, as she still
operates under false ideals. As a girl, she refuses to play the role she was
cast, the princess – yet she still plays a role, the prince. Even ‘rebelling’
against the gender binary, she plays into it. Her journey through the series
requires her to move beyond ‘prince’ and ‘princess’, to fight not for these ideals,
but for tangible things.
Here, I have shallowly dug into a single
theme in this sprawling series. I could go on about the show’s exploration of
self-pity, incest, the Problem of Evil, patriarchy, teenage pretension,
self-delusion, etc.,etc.
When the Blu-Ray set of Utena comes out, I
plan to do an analysis of it.